![]() As Cash so eloquently put it, he’s Armani with a badge. This makes sense, though, because he’s also a big player in the stock market, and the only reason that he’s a cop is for the action (which, when he said that, made me realize that Mike Lowry from Bad Boys is such a ripoff). Tango drives a 1989 Cadillac Allante convertible (above). There’s also a strange running joke of the characters asking, “Is that a proposal?” Basically, there is a really strong sexual tension between Tango and Cash throughout the film, but it’s masked by all of the shooting and gun-measuring.Ĥ) Los Angeles cops should always drive the nicest cars. “Why is yours bigger than mine?” “Genetics.”.“We’re on fire.” “Yeah, we’re cooking now.”.“Where the hell did you learn to drive?” “Stevie Wonder.”.Between the incredibly flirty prison shower scene and the final shootout at the bad guy’s hideout, this film is packed with wonderful exchanges that sound like they were written on the spot by Stallone. But the cherry on top is when jaw guy says, “F*ck you,” and Stallone responds, “I prefer blondes.” Amazingly, that’s actually the film’s appetizer. The opening chase (which was a knockoff of Jackie Chan’s Police Story) features a hell of an exchange between Stallone and the bad guy with the huge jaw. It’s a lot like when Jim Carrey raps with Tone Loc at the end of Ace Ventura, but so much more macho.ģ) Nothing is more important in a badass’s life than a one-liner. It just happens and the movie is so much better off for it. Food for thought.Ģ) All movies should start out with a cool catchphrase, spoken by one of the stars.Īs Tango & Cash opens, Stallone mumbles, “Okay… let’s do it.” I have no idea why. Just because a film might have been considered a bomb, doesn’t mean it was the bomb. It’s a good thing, though, because WB brought in Albert Magnoli to finish the film, and he was responsible for the amazing chase scene around the bad guy’s hideout at the end. Tango & Cash was a prime example of that, as he was booted near the end of filming. Celebrated film director and writer Andrei Konchalovsky famously soured on Hollywood because of the demand for commercial films, and mainly because he didn’t like how producers always had to have their say in every aspect of the film. switched directors during filming, and brought in other writers and editors to keep tinkering with the concept and script. Basically, had Swayze played Cash, 1989 would have been deprived of its two best movies.Īside from that factoid, Tango & Cash was ultimately way over budget by the time filming was wrapped, as Warner Bros. The addition of Russell, of course, made Tango & Cash the perfect gem that it is, but much more importantly, Swayze left to star in Road House. Had he not had the strong intuition to bail on this project, the film might not have ever been the same, especially since he was replaced by Kurt Russell, who previously starred in Big Trouble in Little China, which is the greatest movie ever made. Perhaps the most interesting thing about Tango & Cash is that the role of Gabriel Cash was originally supposed to be played by Patrick Swayze. That’s why I’m going to set the record straight on this wonderful film 25 years later with these very important lessons that I learned while watching Tango & Cash (twice) for its anniversary yesterday.ġ) This movie’s production history deserves a movie of its own. Unfortunately, a lot of the so-called “critics” out there don’t share my fascination with this epic Los Angeles cop adventure that starred Sylvester Stallone, Kurt Russell, Jack Palance, and a score of familiar 80s movie supporting actors. That film was Tango & Cash, arguably the dumbest, funniest, sloppiest, and most ridiculous action buddy comedy ever made, and therefore one of the best films ever produced, at least by my standards. The other was actually one of the last films released in 1989, on December 22 to be precise. One was Road House, an ass-kicking classic released in May, destined to become the greatest movie ever made about bar bouncers. And then there were the two perfect movies of 1989. Gleaming the Cube, Who’s Harry Crumb?, Bill and Ted’s Excellent Adventure, UHF, and The Punisher come to mind, among several others. The awesome movies were few and far between in 1989. Yes, those were certainly really good movies, perhaps even great. Marty McFly gave us the Hoverboard in Back to the Future Part II, and Robin Williams made us shout, “Oh captain, my captain!” from the top of our desks in Dead Poets Society. Indiana Jones and the Last Crusade led the way at the box office, while Michael Keaton established himself as the best Batman in Hollywood decades before Christian Bale would growl his way through Chris Nolan’s triology. There were a lot of really good movies made in 1989.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |